'90125' was our biggest-selling album worldwide.

A nightmare is two bassists on stage.

Touring is a tough business.

The idea of 'Yes on Broadway' has come up. It would reflect the history of Yes.

The great thing about Yes is that it has always been flexible.

You can't ever really replace Jon Anderson because he's been such a force in the music business.

I do have a vague recollection of reviving the cover of The Beatles' 'Every Little Thing,' but I don't know if that was just our riffing on it in rehearsal. I don't think we ever did it actually in the show.

Because of all the various people who've come in and out and brought along ideas, I've been on a learning curve throughout all these years. Of course, everyone that's been involved has influenced me as well. And I'm grateful for that.

Being called a 'music legend' is a very funny thing. It's nice to know that my work has been appreciated and that people have given me that status. On a personal level, however, I can't think about it too much. It means a lot... but then it doesn't.

'Close to the Edge' is the album where we first attempted to do the extra-long-form piece of music, having one song taking up the whole side of a piece of vinyl.